Join tradition bearers Karim Nagi (Arabic drumming & dance), Shizumi Shigeto Manale (Japanese dance & theater) & Mark Novak (Jewish song), instrumentalists Seth Kibel (Klezmer & World-music clarinet/flute), Vladimir Fridman (guitar) & Bob Abbott (string bass), and a cast of over 100, ages 8-90, as we bring to life an exuberant blend of music, dances, and tales from across the centuries and around the world. Welcome Yule!
Want Great Seats? Donors of $100+ per year receive Early Priority Ticketing!
Saturday, December 7, 2:00pm & 7:30pm
Sunday, December 8, 2:00pm
Friday, December 13, 7:30pm (Family Friday)
Saturday, December 14, 2:00pm & 7:30pm
Sunday, December 15, 1:00pm & 5:00pm
Matinee Prices (all 1 & 2 pm shows) in Red
Orchestra A-N (Center): Adult $60 / $65 | Youth $40 / $45
Orchestra A-N (Sides): Adult $50 / $55 | Youth $32 / $37
Terrace* AA-JJ: Adult $45 / $50 | Youth $27 / $32
Terrace* KK-RR: Adult $30 / $35 | Youth $20 / $25
Terrace* SS-UU: Adult $18 / $23 | Youth $12 / $17
Wheelchair Spaces (Row N): see Row N pricing above
Youth = 18 and under
* Terrace seats require climbing stairs
GW Lisner Auditorium
730 21st Street NW
Washington, DC 20052
Tickets on Sale October 1
Get Great Seats!
Donors who give $100+ per year receive
Early Priority Ticketing order forms.
10% off for groups of 10-19; 20% off for groups of 20 or more*
Service charges: $2.50 per ticket plus $3.50 per order
* Available only through the Washington Revels office: call 301-587-3835
FAMILY FRIDAY NIGHT:
25% off Youth tickets on December 13 at 7:30pm
Save money and bring the whole family on Friday night!!
Please Note: Discounted Youth tickets do not count toward 10-ticket and 20-ticket thresholds for purposes of group discounts.
All performances wheelchair accessible.
Audio Description – Sunday, December 8 at 2:00pm
2019 Guest Artists
Karim Nagi is a native Egyptian immigrant to the USA and a true crossover artist uniting the Arab tradition with the global contemporary world. He has released 14 CDs, ranging from traditional Arab music to fusion and electronica. He has authored instructional DVDs for the Tabla/Doumbek, Riqq tambourine, Maqam and Taqsim, Finger Cymbals, Drum Solo for Dance, and Arab Folk Dance. As a dance and drum teacher, Nagi has taught at dozens of festivals in the US, Asia, Europe and Cairo, as well as most major Arab Culture festivals in the US.
He taught at the New England Conservatory of Music for 5 years, and has lectured and presented at numerous US colleges and universities. He has also lectured internationally on arts and diversity at universities in Taiwan, China, and Ecuador. Nagi’s Arabiqa program has conducted over 400 school assemblies across America, exposing young audiences to Arab traditional arts.
His most recent project, “Detour Guide,” incorporates English language storytelling with Arab music and rhythm, along with graphic and video art, to describe the experience of Arabs life and culture. Recently Nagi received a Doris Duke Grant for the Islamic Arts through the Virginia Tech “Salaam” project. He has also just been elected to the board of directors for Chamber Music America. www.karimnagi.com
Shizumi Shigeto Manale
Born in Hiroshima and raised in Osaka Japan, Shizumi Shigeto Manale’s numerous artistic endeavors are dedicated to promoting multicultural understanding and acceptance.
A world-renowned and highly awarded dancer, choreographer, author, director, and film producer, Manale founded Shizumi Dance Theatre in 1985 and, from 2000-2015, directed the children’s dance company Shizumi Kodomo Dance Troupe, which performed for President Clinton at the White House’s Millennium Celebrations. She also wrote and choreographed a joint United States-Japan musical theater production for deaf and hard-of-hearing students at Gallaudet University. Manale served as the artistic director of the National Cherry Blossom Festival’s opening ceremonies for seven years.
Other notable projects include the documentary films Geisha: An Artist’s Journey, broadcast by PBS, and Pictures from a Hiroshima Schoolyard (2014), about the friendship between Hiroshima children and American civilians in the aftermath of the atom bomb. The film was shown President Obama’s 2015 visit to Japan and it will be screened at a UN Peace Conference this November. In 2014 she authored the related English-language book Running with Cosmos Flowers, published by Pelican Publishing Co.
Classically trained in Noh and Kyogen theater and Jiuta-mai dance, Manale also studied modern dance at the University of California-Berkeley, creative performing arts at San Francisco State University, and classical ballet at the San Francisco Conservatory of Dance.
Mark Novak is a rabbi, storyteller, musician, writer, composer, father, and avid Washington Nationals fanatic. He is founder and spiritual guide of Minyan Oneg Shabbat, Washington DC’s Jewish Renewal gathering, and co-founder of The MultiFaith Storytelling Institute, whose mission is to change the world one story at a time.
Mark thanks Washington Revels Artistic Director, Roberta Gasbarre, for nudging him until he said “Yes” to joining the 2019 Christmas Revels production!
Visit Mark online at one or more of his many websites:
Seth Kibel is one of the Mid-Atlantic’s premier woodwind specialists, working with some of the best bands in klezmer, jazz, swing, and more. Wowing audiences on clarinet, saxophone, and flute, Seth has made a name for himself in the Washington/Baltimore region and beyond. He has been the featured performer with The Kleztet, Bay Jazz Project, Music Pilgrim Trio, The Natty Beaux, and more. Seth is the winner of 28 Washington Area Music Awards (Wammies), including “Best World Music Instrumentalist” (2003-11) and “Best Jazz Instrumentalist” (2005, 2007-8, 2011-14). His most recent recording, No Words — Instrumental Jazz & Klezmer by Seth Kibel, was released in 2015 on the Azalea City Recordings label. One song from that album, “New Waltz,” was the Grand Prize winner of the 2016 Mid-Atlantic Song Contest (MASC), sponsored by the Songwriters’ Association of Washington (SAW). www.sethkibel.com
Vladimir Fridman was born and raised in Moscow, Russia. Trained in both music and civil engineering, he decided to pursue his real passion — guitar. Soon he was well known in Moscow’s musical community and performed in theaters, with orchestras, and on Russian TV. As an active member of the eccentric show group Jazz Balalaika, Vladimir toured Europe, the Middle East, and Japan and released 4 albums. Audiences in many countries have enjoyed his scintillating concert performances.
Since his arrival in the United States in 1998, Vladimir has become widely known in music circles within the greater Washington area. He frequently appears as a soloist, as well as with leading musicians. He is a member of two bands: Music Pilgrim Trio and TransAtlantic Duo. He can be heard on the WAMMIE Award-winning Gypsy Strings album Ole Guapa.
In addition to guitar performance, Vladimir is a gifted composer — you can hear many of his compositions on his website. He also runs a successful guitar studio, and many of his students have received awards at the Maryland State Guitar Competition. www.vfridman.com
Bob Abbott is a freelance bass player and arranger in the Mid-Atlantic region. His performance experiences range from local community festivals to performances at national political and social events and international festivals. In 2011 he had the honor of traveling and performing in Croatia and was a guest musician and judge at the Zagreb Guitar Show; in 2014 he returned to Croatia as a clinician and featured performer at the 2nd Annual River Jazz Festival. Bob is an endorsed artist for JanAid Basses, GuitarStrap.It, Acme Bass Speakers, Nitewalker Preamps, and Guardian Pro Cables.
In addition to Bob’s career in music performance, he is the Guitar, Keyboard & Music Technology teacher at Arundel High School in Anne Arundel County. Bob enjoys playing in pit orchestras and has worked with many schools and community theater productions, as well as the New York-based Infinity Theater Company. He is looking forward to being part of the 2019 Christmas Revels. www.bobabbottmusic.com
Washington Revels Brass
The Washington Revels Brass lends its joyful, clarion sound to every Christmas Revels production. Current performers include trumpeters Bob Birch (director and member of the group since 1996) and Fred Marcellus, hornist Andrew Houde, and trombonists Bryan Bourne and Jeff Gaylord, with percussionist Don Spinelli. The ensemble views itself in a certain sense as a microcosm of Revels everywhere: they have their own rituals, traditions, and personality. They differ from every other part of the Revels only in that their ways are largely invisible to all but themselves. (Photo Credit: Ryan Maxwell Photography)
Sponsorship & Advertising
Your organization can help bring the magic of our Winter celebration to life! Several sponsorship opportunities are available, including:
- Our Christmas Revels Outreach Performance
- Any one of our 8 regular Christmas Revels performances
- An entire Christmas Revels production (all 8 performances plus Outreach Performance)
For more information on sponsorships, please contact Patti Knapp at 301-830-4411 or at email@example.com.
Connect with our Christmas Revels audience of 10,000! Our oversized souvenir program book helps you reach our patrons at the height of the holiday season. Interested in advertising with us? Email Ross Wixon at firstname.lastname@example.org.
Frequently Asked Questions
Every year, we get asked many excellent questions about The Christmas Revels and getting around Lisner Auditorium. We’ve tried to answer the most common questions as best we can here. If you need additional information, please call the Revels Office at 301-587-3835 or send an email to email@example.com.
- How long is the show? Each performance is generally 2 hours and 30 minutes long, including intermission.
- When does the house open? Theatre doors open 30 minutes prior to each performance’s scheduled start time. Doors to the lobby areas open one hour before the start time.
- I ordered online. When will I get my tickets? All tickets are sent as a PDF attachment to the email address you used at checkout. If you cannot find this email, search “firstname.lastname@example.org” in your inbox. If you still cannot find your tickets, simply call us or send an email to email@example.com and we will re-email your tickets to you.
- Can I place a group order online? No: to take advantage of the discounts for groups of 10 or more, you must call the Revels Office and place your order over the phone at 301-587-3835.
- Do I have to print out my tickets? No, you can display your tickets on your mobile phone when you arrive at Lisner Auditorium.
- Do I need to purchase a ticket for my child? Yes, you must purchase tickets for your children regardless of their age. Children typically love the shows; however, for your sake and as a courtesy to other patrons, we generally advise that you not bring children unless you are confident that they can sit quietly throughout a 2.5-hour performance.
- Is Lisner Auditorium wheelchair accessible? Yes: there is a wheelchair ramp at the main entrance and Lisner is fully wheelchair-accessible on the main lobby level, including the theater’s Orchestra level and two wheelchair-accessible lavatories on that level. Note that the house terrace requires climbing stairs; there are dedicated wheelchair spaces in Row N of the Orchestra. The Lower Lobby level and bathrooms are not wheelchair-accessible.
- Does Lisner Auditorium offer assisted listening services? Yes: in addition to the audio description performance on Sunday, December 9, Lisner has “Listen” assisted-listening devices (receivers and headphones) free of charge for patrons at all performances. Please inquire at the coat-check counter.
- How do I get to Lisner? For your convenience, we’ve prepared detailed Metro and parking information: you can see local maps and read parking/walking instructions under the “Metro & Parking” tab.
Take either the Blue or Orange Line to the Foggy Bottom Metro Station. From there, it is a 2 block walk to Lisner Auditorium.
Where to Park Around Lisner Auditorium:
Street Parking: Some street parking is unmetered but most is either metered or “Park & Pay.” Parking is free on Sundays, but not on Fridays or Saturdays until a specified time in the evening (varies between 6:30pm, 8:30pm and 10pm – check the signs and meters). In some locations you can only purchase street parking for a maximum of 2 hours (4 hours with a handicapped sticker), but in others you can purchase unlimited parking from 6:30 to 10pm.
Garage Parking: There are 5 parking garages (each described below) near Lisner that are open during all relevant show hours. Two are GW University garages. They are the closest options to Lisner – 1-1/2 and 2 blocks away – and have a flat rate of $11 after 5pm on weekdays and $12 on weekends. The other 3 options are all Colonial garages, all of which have a flat rate of $11 or $12 after 5pm on weekdays and on weekends. (Nearby PMI garages are all closed during the hours of our shows.) NOTE: The (GW) Marvin Center Garage (the closest garage to Lisner), is no longer open on weekends. Also, the (GW) Academic Center Garage, entrance on the south side of I (Eye) Street between 21st and 22d Streets, is no longer open to visitors at any time. It has been replaced by the new University Garage (see below).
Click the garages below for more details. Click here to download a printable PDF description of Lisner-area parking.
CREDIT CARD – VISA, MASTERCARD, or AMEX – ONLY
This is the closest garage to Lisner on weekends, just 1-1/2 blocks away. It is located on H Street between 22d and 23rd Streets, on the north side of the Street, underneath the new Science & Engineering Hall. The entrance is clearly marked with a sign saying “University Garage” (do not mistakenly try to enter the garage across the street, which has no sign and is not open to visitors). Open 24/7 (with attendant); has 400 spaces. There are two entrance lanes going in, but after the show there will be two lanes oriented for exit. The credit card payment (NO CASH) is made on the way out, either at the machine at the exit gate or in the building lobby (not as convenient). Elevators serve all levels. Once you have parked your car, take the 22d Street exit elevator to Level 1, exit the building through the doors at the right, turn right and walk about 50 yards to H Street, then turn left on H Street and walk the one block to 21st Street. The Lisner doors will be immediately to your right.
Info: (202) 994-7199
SELF SERVICE AND CREDIT CARD – VISA, MASTERCARD, or AMEX – ONLY
The garage is located in the alley between F and G Streets. The alley is bounded on each side by 20th and 21st Streets, and you can enter the alley from either of those streets (the entrances to the alley are marked with a “Parking” sign). The garage is 2 blocks from Lisner. Open 24/7; has 400 spaces. There are two entrance lanes going in, but after the show there will be two lanes oriented for exit. The credit card payment (NO CASH) is made on the way out, either at the machine at the exit gate or in the lobby of the Plaza above the garage. Elevators serve all levels. There is no attendant, but assistance is supposed to be available at all times on the intercom (we have had generally good reports about this garage, but a few people have complained that assistance was not immediately available on the intercom).
Info: (202) 994-7199
Entrance on 22d Street between I (Eye) Street and Pennsylvania Avenue. Very large garage with the most spacious driving lanes. You take a ticket on the way in and pay on the way out. There is only 1 attendant. You can pay at machines before going to your car, but the paid ticket is only good for 5 minutes after you pay, so it is recommended that you pay from your vehicle at the Exit Gate with a credit card when exiting. The Ground Floor takes cash, and P2, P3, Exit Gate and the Ground Floor all take credit. Elevators serve P4 up to Ground Level.
Info: (202) 296-3426
Entrance on I (Eye) Street between 21st and 22d Streets (under TGI Fridays). You pay on the way in, which means that exiting will be easier than the other garages, but entering may get backed up. Elevators do NOT operate at night or on weekends.
Info: (202) 298-7155
Entrance on 20th Street between Pennsylvania Ave and H Street. You pay on the way in, which means that exiting will be easier than the other garages, but entering may get backed up, since there is only one attendant. Elevators serve all floors.
Info: (202) 298-7158
Our flagship production, The Christmas Revels, is a festive, fully staged celebration of the Winter Solstice and the return of sun and light after the “shortest day,” radiating hope and joy in the renewal of life and the circle of the seasons. Seen by over 10,000 people every December, it draws on traditions and rituals from many lands and peoples, focusing each year on a different culture or related cultures.
Select a link below to learn more about that production.
- 2018: An Elizabethan Celebration of the Winter Solstice
- 2017: A French-Canadian Celebration of the Winter Solstice
- 2016: A Nordic Celebration (Denmark, Finland, Iceland, Norway & Sweden)
- 2015: A Medieval Celebration of the Winter Solstice
- 2014: An Irish Celebration of the Winter Solstice
- 2013: “Echoes of Thrace” (Bulgaria, Greece & Turkey)
- 2012: “Spirits of Haddon Hall”
- 2011: “Treasures of Andalusia” (Jewish, Arabic & Spanish)
- 2010: Thomas Hardy (featuring The Mellstock Band)
- 2009: Leonardo’s Workshop (Italian Renaissance)
- 2008: French Canadian (Québécois)
- 2007: Elizabethan English
- 2006: Early American
- 2005: Northlands (Nordic)
- 2004: “The King and the Fool” (English Medieval)
- 2003: “Roads of the Roma”
- 2002: Victorian England
- 2001: Leonardo’s Workshop (Italian Renaissance)
- 2000: Celtic
- 1999: Celestial Fools
- 1998: Shepherd Alley – Washington, D.C.
- 1997: Medieval – King and the Fool
- 1996: Northlands
- 1995: French
- 1994: Victorian
- 1993: Celtic
- 1992: Celestial Fools
- 1991: Russian and American
- 1990: Medieval
- 1989: Storybook
- 1988: Medieval
- 1987: Celtic
- 1986: French
- 1985: Appalachian-American (featuring Jean Ritchie)
- 1984: “Haddon Hall”
- 1983: Medieval